Laura Atkinson: Voice
American mezzo-soprano Laura C. Atkinson is an active performer in both the United States and in Germany. She has debuted with various orchestras in both countries, including the Nashville Symphony, New Haven Symphony, the Louisville Orchestra, the Oregon Bach Festival Orchestra, the Carmel Bach Festival Orchestra, the American Baroque Orchestra , the Gewandhaus Orchestra, and the Braunschweig Staatsorchester.
Highlights of this past season included several debuts, including Dvorak’s Requiem at the Konzerthaus Berlin, Messiah with the Portland Oratorio Chorale of Maine, and Handel Duets at the Steglitz Early Music Festival. The season also includes a return to the Bach Choir of Bethlehem for a performances of Bach Cantatas 97 and 74, a Messiah with Opera On Tap Berlin, and a new production of Winterreise at the Delphi Theater in Berlin. Additional highlights include role debuts as Mary in Der Fliegende Holländer, and as Bradamante in Alcina.
Following the completion of her degrees, she was a recipient of a prestigious Fulbright Grant, which supported a year of study at the Mendelssohn Conservatory of Music in Leipzig, Germany. The subsequent year she was a winner of an Ad Infinitum stipend and a DAAD scholarship, which allowed for a year of continued studies in Leipzig. Since arriving in Germany, Ms. Atkinson made her European opera debut at Oper Leipzig, where she appeared as Franzl/Heuschreck in Das schlaue Fuchslein; she has performed additional roles at Staatstheater Braunschweig and Rheinsberg Kammeroper. Throughout Europe she has sung various concerts and recitals; highlights include Bach’s St. John Passion at the Bachakademie in Stuttgart, Mahler’s Das Lied von der Erde in Leipzig, Schoenberg’s Book of Hanging Gardens at the Schumann Haus in Leipzig and Jenkins’ The Armed Man in Hamburg.
She is the recipient of various prizes and awards, including 1st place at the American Bach Society/Bethlehem Bach competition, a prize winner of the International Chamber Opera competition in Rheinsberg, a finialist in the Greifswald Bach competition, a Fulbright Grant, an Ad Inifinitum/DAAD steipend, and the inaugural Margot Fassler Award for Excellence in Performance of Sacred Music at Yale.
She has worked with such esteemed conductors as Helmuth Rilling, Nicholas McGegan, Simon Carrington, Christopher Seamen, Paul Hillier, Stephen Layton, Mattias Foremny, and Ulrich Windfuhr.
She received her masters degree from the Institute of Sacred Music at Yale University, where she studied with the American tenor, James R. Taylor. At Yale, Ms. Atkinson was a member of Schola Cantorum, a vocal ensemble led by Simon Carrington. As a soloist in this ensemble, she recorded Mendelssohn’s Magnificat with Naxos Records and toured Bach’s B-Minor Mass throughout China and Korea. With the Yale Baroque Opera Project, she sang the lead role of Medea in Cavalli’s Il Giasone, for which she received a favourable review by Alex Ross in The New Yorker.
She currently splits her time between Berlin, Germany and Louisville, Kentucky.